Vintage 1942 PISGAH FOREST Turquoise TEAPOT

Vintage 1942 PISGAH FOREST Turquoise TEAPOT (image 1/[null, null, null, null, null, null, null, null, null, null])
Vintage 1942 PISGAH FOREST Turquoise TEAPOT (image 2/[null, null, null, null, null, null, null, null, null, null])
Vintage 1942 PISGAH FOREST Turquoise TEAPOT (image 3/[null, null, null, null, null, null, null, null, null, null])
Vintage 1942 PISGAH FOREST Turquoise TEAPOT (image 4/[null, null, null, null, null, null, null, null, null, null])
Vintage 1942 PISGAH FOREST Turquoise TEAPOT (image 5/[null, null, null, null, null, null, null, null, null, null])
Vintage 1942 PISGAH FOREST Turquoise TEAPOT (image 6/[null, null, null, null, null, null, null, null, null, null])
Vintage 1942 PISGAH FOREST Turquoise TEAPOT (image 7/[null, null, null, null, null, null, null, null, null, null])
Vintage 1942 PISGAH FOREST Turquoise TEAPOT (image 8/[null, null, null, null, null, null, null, null, null, null])
Vintage 1942 PISGAH FOREST Turquoise TEAPOT (image 9/[null, null, null, null, null, null, null, null, null, null])
Vintage 1942 PISGAH FOREST Turquoise TEAPOT (image 10/[null, null, null, null, null, null, null, null, null, null])
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Vintage 1942 PISGAH FOREST Turquoise TEAPOTVery good condition, no cracks or chips 7 1/2" from spout-to-handle. Lid is intact. Heavy weighs 1 lb 12 ounces.This is an antique North Carolina Pisgah Forest Teapot. Signed with the Pisgah Forest Stamp."Pisgah Forest Pottery opened in Arden, North Carolina in 1926, fifty years after the art pottery movement was first introduced at the Philadelphia Centennial Exposition. W. B. Stephen had been a practicing art potter for 23 years. Over his career, he had learned to experiment with many glazes of the Arts and Crafts movement . He had read widely about Chinese pottery styles and techniques. He had also cultivated friendships with other successful regional potters, such as Oscar L. Bachelder of Omar Khayyam Pottery, to learn techniques to attract shoppers from all over the region. While Stephen altered his style to what was popular at the time, he remained true to creating art that was pleasing not only to the general masses, but the potter as well."
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